There is no documentation for this recording session, but it is an educated guess that the session was held at the MGM Sound Stage in Hollywood rather than being at Western Recorders, as the session on March 7 was. The main reason for the MGM Sound Stage assumption is that the engineer heard on the vocal overdub takes isn't Chuck Britz - The engineer sounds more like the engineer used on the 'Double Trouble' and 'Speedway' sessions, which were held at the MGM Sound Stage in Hollywood, where the engineers were Aaron Rochin and Lyle Burbridge.
The first 3 bars (7 seconds) were cut on the
LP versions of 'Almost in Love' and 'US Male'.
Production numbers 2008 and 2009 are for instrumental tracks used in the movie. Other production numbers used for non-Elvis film music recordings for this movie are 2013, 2014 to 2037, 2401 to 2404 (score) and 2501 to 2544 (score).
In March of 2007, Sony decided to go through all of Elvis' masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, 'Legacy' releases, the 30 disc 'Complete Elvis Presley Masters' collection and the Franklin Mint package.
Thanks to Kevan Budd for initial information regarding the unused movie version of Almost In Love, and to Ernst Jørgensen for updated session information after the session tapes were rediscovered.