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May 14 1964
(+ means you need both    ~ means same material    °° means stereo or binaural    ° means mono)
(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)

Radio Recorders Studio B - Hollywood, California
Soundtrack Session for 'Roustabout'
Paramount Producer : Joseph Lilley
Engineer : Dave Weichman

Musicians:   Backup Vocals:
NA    

Roustabout (Vocal Overdub)
RPA3 5273
NOV May 14 1964
Take 1     (Vocal Overdub of Track NO-11)  
Take 2        
Take 3        
Take 4        
Take 5        
Take 6 Complete 2:06 ("Raving Maniac" ending) Collectors Gold 1°°
Take 7        
Take 8 Complete 2:04 ("Raving Maniac" ending) Today, Tomorrow & Forever 2°°
Take 9 (M) 1:20+ (Movie Version - Possibly Take 13) Soundtrack° (With overdubbed instruments)+Paramount Lobby Spot
Promo° (Acetate)
Take 10        
Take 11        
Take 12        
Take 13 Complete 1:55 (Possibly Take 9) Memphis Tennessee (LP - Acetate)° (Without NO Take 11 Count-in)
Take 14        
Take 15        
Take 16        
Take 17 M 1:58   Complete Elvis Presley Masters 11 (Sony)°°~Fun At The Fair (Franklin
Mint Complete Masters Collection 23)°°~Roustabout (Remastered
Soundtrack)°°~Double Features - Love In Las Vegas / Roustabout°°

Notes

The version used in the movie has the second verse edited out, and it is unknown if the Movie Version is take 9 or take 13.

This take of Roustabout can be found on a very rare Promo that was given to select movie theatres to play in the lobby of the theatre, while the movie 'Roustabout' was playing.

The take on the bootleg "Memphis Tennessee" is taken from an acetate source, and originally had the NO Take 11 (Track) announcement which was cut.

The engineer calling "Hey" that can be heard on 'Collectors Gold' is from the Track, and not the Vocal Overdub.

The last production number used at the March sessions is "LO", which was for Wheels On My Heels, and the next number used is "NO", which is for the rhythm Track for Roustabout on April 29. It is unknown what the missing "MO" production number could have been for but it is unlikely that it's for the Remake of Little Egypt as the master is Take 21, so it's assumed that the take numbering of "AO" continued from Take 16 to 21 for the Remake.

An EPE auction in July / August 2010 has thrown up some questions regarding these sessions, as one of the lots has some of Elvis' personally owned acetates of demo's presented to be used in this movie. Looking at the acetates, an interesting thought has emerged that the missing "Track MO" from these sessions could have been for Shout It Out. When you look at the acetate it has "USED" written on it, where the others - Carnival Of Dreams and I Never Had It So Good clearly has "Demo - Not Elvis" written on them. This indicates that Shout It Out could have actually been recorded, but not used in the movie 'Roustabout', but as the tapes are still missing from these March sessions apart from the masters and takes used for masters, there is no way of knowing exactly what was recorded.

In March of 2007, Sony decided to go through all of Elvis' masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, 'Legacy' releases, the 30 disc 'Complete Elvis Presley Masters' collection and the Franklin Mint package.

Session Logs
Recording Information
Roustabout
Roustabout
Acetates
Roustabout
Roustabout Acetates
Acetate
Roustabout - Lobby Spot Promo
Roustabout Lobby Spot Promo

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