Recording Sessions 1950's
|
| Sun
Studio - Memphis, Tennessee |
|
|
Tomorrow Night
|
F2WB |
8115-07 |
| I'll Never Let You Go (Little Darlin') |
F2WB |
8116-NA |
| Satisfied |
|
////////-01 |
| I Don't Care If The Sun Don't Shine |
F2WB |
8042-03 |
| Just Because |
F2WB |
8118-NA |
| Good Rockin' Tonight |
F2WB |
8043-02 |
| Sun
Studio - Memphis, Tennessee |
|
| Milkcow Blues Boogie |
F2WB |
8044-NA |
| You're A Heartbreaker |
F2WB |
8045-NA |
| I'm Left, You're Right, She's Gone (Slow Version) |
OPA1 |
4196-05 |

|
In November 1955, 15 tapes of Sun
recordings were turned over to RCA. Producer Steve
Sholes made some handwritten notes on them, probably
in January 1956. These were analyzed by Lee Cotten
in the book 'All Shook Up, Elvis Day-By-Day' (Popular
Culture, Ink., 1985). In the second edition (1998),
further research gives us more accurate interpretations.
Ernst Jørgensen's latest book, 'A Boy From
Tupelo' gives us a some new revelations as well.
Eight tapes with Sun recordings were
shipped from New York to the vault in Indianapolis
to be destroyed in 1957. These were described in
the magazine 'Elvis - The Man and His Music' No.
23 as well as a status report on the 15 known tapes.
At first it seemed that 10 tapes were sent to Indianapolis,
but in the second edition of 'All Shook Up', Lee
Cotten identifies three of them as being one, but
listed on three rows.
Most of the 15 original tapes are
lost today. Some were probably destroyed. Others
appear to have been stolen. The Harbor Lights
tape was found in Steve Sholes' desk after his retirement.
The vocal channel slapback tape containing When
It Rains It Pours was lost for years until found
inside another tape box in 1982 by coincidence.
| |
Box #1
|
Lost (Sent
to Indianapolis in 1957)
|
Mid-July 1955
|
| |
I Forgot
To Remember To Forget
|
Probably
includes master
|
|
|
| |
Mystery
Train
|
Probably
includes master
|
|
|
| |
Trying
To Get to You
|
Probably
includes master
|
|
|
| |
Original Notes:
|
F2WW-8000,
8001, 8039 only
|
|
| |
|
|
|
| |
Box #2
|
Lost (Sent
to Indianapolis in 1957)
|
July 5 1954
|
| |
That's
All Right
|
Probably
includes master
|
|
|
| |
Unknown
|
Perhaps by
another artist
|
|
|
| |
Unknown
|
Perhaps by
another artist
|
|
|
| |
Original Notes:
|
F2WW-8040
and 2 other selections
|
|
| |
|
|
|
| |
Box #3
|
Lost (Sent
to Indianapolis in 1957)
|
September
12 - 16 1954
|
| |
Good Rockin'
Tonight
|
1 take (probably
the master)
|
|
|
| |
Just Because
|
6 takes (Unreleased
outtakes of the slow version)
|
|
|
| |
Just Because
|
Master and
3 unreleased outtakes (Original fast version)
|
|
|
| |
Original Notes:
|
F2WB-8043
and Just Because
|
|
| |
|
|
|
| |
Box #4
|
Lost (Sent
to Indianapolis in 1957)
|
January 30
- February 4 1955
|
| |
I Got
A Woman
|
2 unreleased
takes
|
|
|
| |
Trying
To Get To You
|
1 unreleased
take
|
|
|
| |
Trying
To Get To You
|
1 unreleased
take
|
|
|
| |
Original Notes:
|
_______________I
Got A Woman
|
|
| |
|
F2WW-8046
and Baby Trying to Get To You
|
|
| |
|
|
|
| |
Box #5
|
Not in vaults
|
Mid-April
1955
|
| |
I'm Left,
You're Right, She's Gone
|
6 takes (Probably
original, fast version, including the master)
|
|
|
| |
Original Notes:
|
F2WW-8047
only
|
|
| |
|
|
|
| |
Box #6
|
In RCA vaults
|
Mid-November
1954 - Mid-April 1955
|
| |
I'm Left,
You're Right, She's Gone (Slow Version)
|
7 takes of
the slow version
|
|
|
| |
Original Notes:
|
F2WW-8047
only
|
|
| |
|
|
|
| |
Box #7
|
Lost (But
not sent to Indianapolis in 1957)
|
September
12 - 16 1954
|
| |
Tomorrow
Night
|
7 takes,
including the master
|
|
|
| |
I'll Never
Let You Go
|
2 takes,
including the master
|
|
|
| |
Original Notes:
|
F2WB-8115
|
|
| |
|
__________
only
|
|
| |
|
F2WB-8116
|
|
| |
|
|
|
| |
Box #8
|
In RCA vaults
|
August 15
- 19 1954
|
| |
Blue Moon
|
9 takes,
including the master
|
|
|
| |
Original Notes:
|
F2WB-8117
only
|
|
| |
|
|
|
| |
Box #9
|
Lost (Sent
to Indianapolis in 1957)
|
September
12 - 16 1954
|
| |
Good Rockin'
Tonight
|
2 takes (Probably
master and unreleased outtake)
|
|
|
| |
Just Because
|
1 take (Possibly
unreleased outtake of original, fast version)
|
|
|
| |
I'll Never
Let You Go
|
2 takes (Probably
unreleased outtakes)
|
|
|
| |
Original Notes:
|
F2WB-8118
|
|
| |
|
F2WB-8116
& F2WB
|
|
| |
Box
#10
|
F2WB-8118
only ___8043
|
|
| |
|
|
|
| |
Box #10
|
Lost (But
not sent to Indianapolis in 1957)
|
September
12 - 16 1954
|
| |
Just Because
|
5 takes (Probably
unreleased outtakes of original, fast version)
|
|
|
| |
Original Notes:
|
F2WB-8118
only 8043
|
|
| |
|
|
|
| |
Box #11
|
In RCA vaults
(Vocal Channel slapback tape)
|
November 1
- 4 1955
|
| |
When It
Rains It Pours
|
8 takes including
the master
|
|
|
| |
Original Notes:
|
When It
Rains It Really Pours NG
|
|
| |
|
|
|
| |
Box #12
|
Lost (Sent
to Indianapolis in 1957)
|
September
12 - 16 1954
|
| |
I'll Never
Let You Go
|
2 takes,
perhaps including released outtake
|
|
|
| |
Satisfied
|
1 unreleased
take (1:15)
|
|
|
| |
I'll Never
Let You Go
|
4 takes (Unreleased
outtakes)
|
|
|
| |
Original Notes:
|
F2WB-8116
& Satisfied NG
|
|
| |
|
|
|
| |
Box #13
|
In RCA vaults
|
July 5 1954
|
| |
I Love
You Because
|
Takes 1 -
5
|
|
|
| |
That's
All Right
|
Takes 1 -
3
|
|
|
| |
|
(Songs in
wrong order on original notes)
|
|
|
| |
Original Notes:
|
F2WB-8040
|
|
| |
|
G2WB- I
Love You Because
|
|
| |
|
|
|
| |
Box #14
|
Lost (Sent
to Indianapolis in 1957)
|
July 7 1954
|
| |
Blue Moon
Of Kentucky
|
4 takes,
perhaps including the released outtake
|
|
|
| |
|
(Master never
turned over to RCA)
|
|
|
| |
Original Notes:
|
F2WB-8041
only not so hot
|
|
| |
|
|
|
| |
Box #15
|
In RCA vaults
|
July 5 1954
|
| |
Harbor
Lights
|
8 takes,
including the master
|
|
|
| |
Original Notes:
|
Harbor Lights
N.G.
|
|
| |
|
|
|
|
|
| RCA
Studio 1 - New York |
|
|
Blue Suede Shoes
|
G2WB |
1230-10 |
| My Baby Left Me |
G2WB |
1231-09 |
| One-Sided Love Affair |
G2WB |
1232-08 |
| So Glad You're Mine |
G2WB |
1233-10 |
| RCA
Studio 1 - New York |
|
| Lawdy, Miss Clawdy |
G2WB |
1293-10 |
| Shake, Rattle And Roll |
G2WB |
1294-12 |
| Shake, Rattle And Roll (Backup Vocal Overdub) |
G2WB |
1294 |
| RCA
Studio's - New York |
|
| Hound Dog |
G2WB |
5935-31 |
| Don't Be Cruel |
G2WB |
5936-28 |
| Any Way You Want Me (That's How I Will Be) |
G2WB |
5937-12 |
| Radio
Recorders Studio 1 - Hollywood, California |
|
| Paralyzed |
|
////////-12 |
| When My Blue Moon Turns To Gold Again |
G2WB |
4925-10 |
| Long Tall Sally |
G2WB |
4926-04 |
| Old Shep |
G2WB |
4927-01 |
| Paralyzed (Insert) |
|
////////-05 |
| Paralyzed (Composite Master) |
G2WB |
4922-SP |
| Too Much |
G2WB |
4928-12 |
| Too Much (Insert) |
|
////////-02 |
| Too Much (Composite Master) |
G2WB |
4928-SP |
| Anyplace Is Paradise |
G2WB |
4929-22 |
| Radio
Recorders Studio 1 - Hollywood, California |
|
| Mean Woman Blues (Record Version) |
H2WB |
0257-14 |
| (There'll Be) Peace In The Valley (For Me) |
H2WB |
0258-09 |
| I Beg Of You (Alternate Master) |
H2WB |
0259-12 |
| That's When Your Heartaches Begin |
H2WB |
0260-SP |
| Take My Hand, Precious Lord |
H2WB |
0261-14 |
| Paramount
Sound Stage - Hollywood, California |
|
| Got A Lot O' Livin' To Do! (Opening - Alternate Master) |
HRA1 |
8674-17 |
| Detour (Instrumental) |
|
////////-06 |
| (Let Me Be Your) Teddy Bear |
H2WB |
2193-13 |
| Peter Cottontail (Instrumental)
|
|
////////-06 |
| Paramount
Sound Stage - Hollywood, California |
|
| Loving You (Farm Version 1) |
|
////////-NA |
| Loving You (End Version) |
|
////////-16 |
| Loving You (Main Version 1) |
|
////////-03 |
| Got A Lot O' Livin' To Do! (Alternate Intro Version) |
|
////////-02 |
| Got A Lot O' Livin' To Do! (Movie Version - Composite) |
|
////////-SP |
| Dancing On A Dare (Dolores Hart?)
|
|
////////-01 |
| Detour (Dolores Hart?) |
|
////////-01 |
| Radio
Recorders Studio 1 - Hollywood, California |
|
| It Is No Secret (What God Can Do) |
H2WB |
0282-13 |
| Blueberry Hill |
H2WB |
0283-09 |
| Have I Told You Lately That I Love You |
H2WB |
0284-15 |
| Is It So Strange |
H2WB |
0285-12 |
| Is It So Strange (Backup Vocal Overdub / Repair) |
H2WB |
0285 |
| Paramount
Sound Stage - Hollywood, California |
|
| Party (Vocal & Group - Record Version) |
H2WB |
2195-11 |
| Mean Woman Blues (Alternate Intro / Ending Version) |
|
////////-07 |
| Mean Woman Blues (Movie Version Composite) |
SPA5 |
2870-SP |
| Detour (Instrumental - End Version)
|
|
////////-06 |
| Radio
Recorders Studio 1 - Hollywood, California |
|
| Jailhouse Rock (Alternate Master) |
|
////////-05 |
| Jailhouse Rock |
|
////////-06 |
| Jailhouse Rock (Pickup to instrumental, chorus and
on) |
|
////////-02 |
| Jailhouse Rock (Composite Master - Record Version) |
H2WB |
6779-SP |
| Treat Me Nice (First Movie Version) |
HRA1 |
8681-19 |
| Young And Beautiful (Record Version) |
H2WB |
6777-22 |
| Young And Beautiful (Alternate Master) |
|
////////-SP |
| Young And Beautiful (Movie End Version - Composite) |
|
////////-SP |
| Young And Beautiful (Solo / Prison TV Version) |
WPA5 |
2507-03 |
| Young And Beautiful (Florita Club Version) |
HRA1 |
8682-07 |
| Radio
Recorders Studio 1 - Hollywood, California |
|
| Treat Me Nice (Second Movie Version) |
|
////////-13 |
| Treat Me Nice (Movie Version - RCA Composite / Alternate
Master) |
H2WB |
6778-SP |
| Treat Me Nice (Movie Version - MGM Composite) |
|
////////-SP |
| I Want To Be Free (Prison TV Version) |
|
////////-13 |
| I Want To Be Free (Prison TV Version - Composite) |
WPA5 |
2508-SP |
| I Want To Be Free (Record Version) |
|
////////-11 |
| I Want To Be Free (Pickup First Ending) |
|
////////-02 |
| I Want To Be Free (Pickup Second Ending) |
|
////////-05 |
| I Want To Be Free (Record Version - Composite) |
H2WB |
6781-SP |
| (You're So Square) Baby I Don't Care (Rhythm Track) |
H2WB |
6782-16 |
| (You're So Square) Baby I Don't Care (First Vocal
Overdub) |
HRA1 |
8683-01 |
| Don't Leave Me Now (First Version - Piano Version) |
WPA5 |
2600-02 |
| Don't Leave Me Now (Second Version - Hit Record Version) |
HRA1 |
8684-21 |
| MGM
Sound Stage - Hollywood, California |
|
| Young Hearts |
|
|
| Jailhouse Rock (Instrumental
Intro) |
|
////////-01 |
| Jailhouse Rock (Movie Version
- Instrumental) |
|
////////-01 |
| Baby I Don't Care (Second Vocal Overdub) |
H2WB |
6782-06 |
| Jailhouse Rock (Long Version) |
|
////////-01 |
| Baby I Don't Care (Movie Edit) |
|
////////-SP |
| Radio
Recorders Studio B - Hollywood, California |
|
| Turtles, Berries & Gumbo
(Blanche Thomas & Unknown) |
|
////////-NA |
| Hard Headed Woman |
J2PB |
3603-10 |
| Trouble |
J2PB |
3604-05 |
| New Orleans |
J2PB |
3605-05 |
| King Creole (Alternate Master) |
J2PB |
3606-18 |
| Crawfish |
J2PB |
3607-07 |
| Radio
Recorders Studio B - Hollywood, California |
|
| Dixieland Rock |
J2PB |
3608-14 |
| Lover Doll (EP Version) |
J2PB |
3609-07 |
| Don't Ask Me Why |
J2PB |
3610-12 |
| As Long As I Have You |
J2PB |
3611-10 |
| Muskrat Ramble (Instrumental) |
SPA3 |
6770-01 |
| Steadfast, Loyal & True (Vocal & Piano) |
WPA5 |
2586-06 |
| As Long As I Have You (Short Movie Version) |
|
////////-04 |
| As Long As I Have You (Long Movie Version) |
WPA5 |
2509-08 |
| Radio
Recorders Studio B - Hollywood, California |
|
| King Creole (Revised) |
J2PB |
3612-13 |
| Young Dreams |
J2PB |
3613-08 |
| King Creole (Main Title - Instrumental) |
|
////////-08 |
| Banana (Liliane Montevecchi)
|
|
////////-NA |
| My Wish Came True |
J2WB |
0178-NA |
| Doncha' Think It's Time |
J2WB |
0179-NA |
| Radio
Recorders Studio 1 - Hollywood, California |
|
| My Wish Came True (Remake) |
J2WB |
0178-NM |
| Doncha' Think It's Time (Single Version) |
J2WB |
0179-SP |
| Doncha' Think It's Time (Album Version) |
J2WB |
0179-SP |
| Your Cheatin' Heart |
J2WB |
0180-09 |
| Your Cheatin' Heart |
J2WB |
0180-10 |
| Wear My Ring Around Your Neck |
J2WB |
0181-22 |
| RCA
Studio B - Nashville, Tennessee |
|
| I Need Your Love Tonight |
J2WB |
3253-18 |
| A Big Hunk O' Love |
J2WB |
3254-SP |
| Ain't That Loving You Baby |
J2WB |
3255-04 |
| Ain't That Loving You Baby (Fast Version) |
PPA5 |
2672-SP |
| (Now And Then There's) A Fool Such As I |
J2WB |
3256-09 |
|